AICA's magazine represents a selection of new and historical criticism by, about, and for art writers. Proposals for submissions are accepted at info@aicausa.org.

Kayla Anderson
Floral Facades
Kayla Anderson on the work of Joiri Minaya and colonial legacies in the United States
Kimberlee Córdova
Marvelous Survival: 20 Years of SITAC
Kimberlee Córdova provides a critical retrospective look at the past 20 years of Mexico's SITAC conference
Charlene K. Lau
On Rage and Silence
"No radical change ever came of doing as you are told."
Rehema C. Barber
2020-2021: Art amidst Chaos
Rehema C. Barber reviews the tumultuous last year and a half and asks: how can we move forward to create a new world together?
Paul Maziar
An Interview with Julia Schwartz
Terry Smith
Videodeath: Powderhorn Explodes The Image World
Sue Spaid
On Viewing Rooms: Displaying Pictures Void of Contexts, Absent Deliberation
Tom L. Freudenheim
Missing Museums
Paul Maziar
Art and Impermanence: An Interview with Jessica Dessner
Gail Gelburd
The Day the World Stopped
Liz Goldner
Reflections From Laguna Beach
Q aka Kyoo Lee
Feast & Fast for neither the Fittest nor the Fattest but a Frugal Futurist
Franklin Einspruch
The Virtual Critic: A Thought Experiment
Dominique Clayton
Remembering Maurice
Eleanor Heartney
Thoughts on Doom
David Berger
Bette Alexander
Ilka Scobie
Corona Time in SoHo
Janina Ciezadlo
Thoughts in and on Quarantine
J. Patrice Marandel
Cooking in a Time of Plague

AICA supports art writers around the world through public programs and membership that includes free access to museums across the globe. Since its formation in 1950, AICA has been committed to elevating the values of art criticism as a discipline, and acting on behalf of the physical and moral defense of works of art.
Join now