Hauser & Wirth has released the second iteration of Ursula, a quarterly magazine named for gallery co-founder Ursula Hauser. In this issue, AICA-USA co-president Judith Stein investigates the influential legacy of Susan Stewart's 1984 text On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection. Stewart's theories left their mark on artists and writers like Ann Hamilton, Rosamond Purcell, Charles Simonds, and David Schutter, among others. Of Stewart's project Stein writes,
Stewart chose the tantalizing noun "longing" for her title, a word that she wrote connoted "a kind of ache." Nostalgia, our "yearning desire" for the past and for things, is central to her examination—through a semiotic feminist-Marxist lens—of the problems that arise when we try to describe things in the world and to make sense of our experience through narrative.
Read on in the issue. Ursula Issue 2 is available on newsstands and to subscribers March 25.
AICA supports art writers around the world through public programs and membership that includes free access to museums across the globe. Since its formation in 1950, AICA has been committed to elevating the values of art criticism as a discipline, and acting on behalf of the physical and moral defense of works of art.
AICA supports arts writers around the world through public programs and membership that offers free access to museums across the globe. AICA-USA represents the largest national section of AICA International with over 450 distinguished critics, curators, scholars, and art historians working throughout the United States. As part of the international organization, we benefit from a global reach in presence. AICA-USA is intent on international communication, elevating the values of art criticism as a discipline, and acting on behalf of the physical and moral defense of works of art.
AICA's membership card is recognized for entrance to museums around the world. Members are invited to attend the annual AICA International Congress, hosted each year by a different member nation, and the AICA-USA annual meeting, which is held every year in May.
Organized in collaboration with CUE Art Foundation, this program matches emerging critics with experienced AICA-USA members who guide them through the process of writing a catalogue essay.
A partnership between the Arts Writers Grant Program and AICA-USA that gives art writers the opportunity to strengthen their work through one-on-one consultations with leading art critics.
Every fall, in cooperation with the New School's Vera List Center for Art and Politics, AICA-USA presents a Distinguished Critic Lecture.