Carolina A. Miranda: Going Local
Tuesday, November 10
Virtual Event, registration is required
AICA-USA is pleased to announce that Carolina A. Miranda will deliver the fourteenth annual AICA-USA Distinguished Critic Lecture in partnership with the Vera List Center for Art and Politics. At a time in which the art world has gone global, what does it mean to write locally? Miranda will talk about covering Los Angeles through the lens of art and architecture.
The AICA-USA Distinguished Critic Lecture at The New School is an annual event during which an exemplary writer addresses seminal issues in contemporary art criticism. Previous lecturers have been Michael Brenson, Linda Nochlin, Roberta Smith, Holland Cotter, Peter Schjeldahl, Michelle Kuo, Lucy Lippard, Carolyn Christoph-Bakargiev, Naomi Beckwith, Negar Azimi, Paul Chaat Smith, Aruna D'Souza and, most recently, Courtney J. Martin.
Carolina A. Miranda is a staff writer for the Los Angeles Times, where she covers culture, with a focus on art and architecture. This includes in-depth reports on the intersection of art and race, innovations by Pritzker Prize-winning architects, developments in international film, and issues of art and gentrification in Los Angeles. Prior to joining The Times, she was an independent magazine writer and radio reporter producing cultural stories for Time, ARTnews, Architect, Art in America, Fast Company, NPR’s All Things Considered and PRI’s Studio 360. She was a regular contributor at WNYC and is currently a regular on KCRW’s “Press Play with Madeleine Brand.” Miranda is a winner of the 2017 Rabkin Prize in Visual Arts Journalism. She served as founding co-chair of the Los Angeles Times Guild, the first employee union in the publication’s nearly 140 years in existence, and currently serves as an at-large officer.
This event is free and open to the public.
AICA supports art writers around the world through public programs and membership that includes free access to museums across the globe. Since its formation in 1950, AICA has been committed to elevating the values of art criticism as a discipline, and acting on behalf of the physical and moral defense of works of art.
AICA supports arts writers around the world through public programs and membership that offers free access to museums across the globe. AICA-USA represents the largest national section of AICA International with over 450 distinguished critics, curators, scholars, and art historians working throughout the United States. As part of the international organization, we benefit from a global reach in presence. AICA-USA is intent on international communication, elevating the values of art criticism as a discipline, and acting on behalf of the physical and moral defense of works of art.
AICA's membership card is recognized for entrance to museums around the world. Members are invited to attend the annual AICA International Congress, hosted each year by a different member nation, and the AICA-USA annual meeting, which is held every year in May.
Organized in collaboration with CUE Art Foundation, this program matches emerging critics with experienced AICA-USA members who guide them through the process of writing a catalogue essay.
A partnership between The Andy Warhol Foundation Arts Writers Grant and AICA-USA that gives art writers the opportunity to strengthen their work through one-on-one consultations with leading art critics.
Every fall, in cooperation with the New School's Vera List Center for Art and Politics, AICA-USA presents a Distinguished Critic Lecture.