About the Program

AICA-USA is excited to announce the Art Critics Fellowship Program, reflecting our ongoing commitment to supporting critical writing within a vibrant arts ecosystem. As the oldest professional organization for art critics and writers in the United States, we believe that thoughtful criticism is essential—not only for the arts community but also for enriching the experiences of individual viewers, writers, and artists alike.

While writing programs continue to shrink and many publications are reducing or eliminating their cultural coverage entirely, the central tenet of our charter — the support of art criticism as a discipline – has never felt more pressing. Over six weeks, fellows will engage in four lectures led by award-winning editors and writers to discuss the joys and concerns of writing and editing art criticism today, and will meet one-on-one with their assigned mentors to develop a piece of criticism for publication on the AICA-USA website. We embrace an expansive definition of art, which includes performance, dance, video art, and other transmedia practices. Each of our mentors comes with a distinct voice, area of focus, scholarly positions, sets of concerns, editorial background and mediums. From radio to small press to newspapers to academic forums, each mentor brings a rich diversity that speaks to the different avenues that artists and critics take on the way to publication in this 21st century landscape.

We particularly encourage applicants from non-traditional backgrounds to apply. To enhance accessibility, the program is hybrid, allowing for in-person meetings when fellows and mentors are in the same location, with lectures streamed online. When applying, please indicate any accessibility measures that would support your participation in the program.

Timeline & Structure

The program opens on January 6, 2025 and ends on March 7, 2025. Fellows are required to meet with their assigned mentor at least four times over the course of the program, and to attend every lecture. There is no cost to attend, and Fellows will be awarded a stipend of $750 to cover potential lost wages while participating in the Fellowship and will be compensated according to W.A.G.E. standards for their work upon publication in the amount of $250.

Timeline

Program Dates: January 6 - March 7, 2025

Orientation: January 6, 2025, 7PM ET (Virtual)

Lecture #1: January 11, 2025, 11:30AM ET (Virtual)

Lecture #2: January 25, 2025, 11:30AM ET (Virtual)

Lecture #3: February 8, 2025, 11:30AM ET (Virtual)

Lecture #4: February 22, 2025, 11:30AM ET (Virtual)

Final Draft Due: March 7, 2025

Eligibility

You must be 18 years or older and living in the United States or Puerto Rico. Also, you must be able to commit to all program dates.

Students are eligible to apply. This program is specifically designed to be between semesters to provide students the opportunity to gain experience beyond the academic setting.

Although it's not required, applicants are encouraged to have an interest in visual arts, writing, criticism, art history, and contemporary visual culture.

Lecturers

Sky Goodden

Sky Goodden is the founding publisher of Momus, an international art publication, podcast, and mentorship platform for art writing and criticism. Goodden has published in numerous catalogues, art books, and publications including Frieze, Art in America, C Magazine, and Art21, among others. She is based in Montreal.

Gabriel Martinez

Born near an atomic blast crater in the New Mexico desert, Gabriel Martinez is an artist, writer, and performer living and working in Houston. He graduated with an MFA from Columbia University and attended the Whitney Independent Study Program before moving to Houston as a Museum of Fine Arts Core Fellow and artist-in-residence at Project Row Houses. His work has been exhibited at the Blaffer Art Museum, Artpace, the Houston Museum of African American Culture, The Holocaust Museum Houston, the Station Museum, and Rice University Media Center. He has performed at the Menil Collection, the Chinati Foundation, the Moody Center for the Arts, the Contemporary Arts Museum Houston, the Museum of Fine Arts Houston, The Orange Show, and MECA. Martinez was a 2022 Robert and Stephanie Olmsted Fellow at MacDowell and was awarded the Joan Mitchell Foundation Painters and Sculptors Grant and a Robert Rauschenberg SEED Grant.

Seph Rodney

Seph Rodney, PhD is a former senior critic and opinions editor for Hyperallergic and is now a regular contributor to The New York Times. He has also written on art for CNN, NBC, Art in America, American Craft Magazine, and several other publications. In 2020 he won the Rabkin Arts Journalism prize and in 2022 won the Andy Warhol Foundation Arts Writers Grant. He is also a curator of contemporary art and a co-curator of Get in the Game, the largest exhibition that SF MoMA has undertaken, which opens October 2024.

Kaelen Wilson Goldie

Kaelen Wilson-Goldie is a journalist and critic and the author of Etel Adnan (2018), on the paintings of the Lebanese American poet Etel Adnan, and Beautiful, Gruesome, and True: Artists at Work in the Face of War (2022), about the work of Amar Kanwar, Teresa Margolles, and the anonymous filmmakers’ collective Abounaddara. Wilson-Goldie currently writes for 4Columns, Aperture, e-flux Criticism, and Mousse, among other publications, and her recent essays consider the work of artists such as Myriam Boulos, Huguette Caland, Ipek Duben, and Mounira Solh. In 2022, Wilson-Goldie was a practitioner-in-residence at NYU’s Hagop Kevorkian Center for Near Eastern Studies. She received a grant from the Andy Warhol Foundation Art Writers Program, in 2013, and a fellowship from the USC Annenberg/Getty Arts Journalism Program, in 2007. Wilson-Goldie was a lowly intern for The Village Voice, worked as a reporter and editor for Beirut’s now-defunct English-language newspaper The Daily Star, and spent many years as a contributing editor for Bidoun. She is a PhD candidate in art history and criticism at Stony Brook University (SUNY Stony Brook), where her research focuses on modernism, feminism, and decolonization in the Middle East and North Africa, with an emphasis on the work of groundbreaking but understudied women artists and the importance of cities such as Beirut, Cairo, and Algiers as major centers of art, culture, and political thought.

Mentors

Sarah Hotchkiss

Sarah Hotchkiss is a writer and artist living in San Francisco. She is the senior associate editor for the arts and culture desk at KQED, the Bay Area’s NPR and PBS affiliate. In this role, she covers visual art, film, museums, labor issues in the arts, and — her favorite — art happenings in unexpected places. She has written essays and reviews for Art in America, The Creative Independent, SFMOMA’s Open Space, Art Practical and Squarecylinder.

In 2019, she received the Dorothea & Leo Rabkin Foundation grant for visual art journalism. And in 2020, she received a Society of Professional Journalists, Northern California award for excellence in arts and culture reporting. From 2020 to 2023, she co-organized the alternative exhibition space Premiere Jr., commissioning new work from Bay Area artists for a 6-by-12-foot billboard in San Francisco’s Inner Sunset neighborhood. She holds an MFA from California College of the Arts and regularly exhibits her own artwork.

Shiv Kotecha

Shiv Kotecha is a writer and editor living in New York. He is the author of The Switch (Wonder, 2018), and EXTRIGUE (Make Now, 2015). His criticism appears in publications including 4Columns, Aperture, BOMB, frieze, The Nation, MUBI’s Notebook, and The Poetry Project Newsletter. For the Andy Warhol Foundation Arts Writers Grant, he co-edits Cookie Jar, a pamphlet series of experimental arts writing. He is Co-Chair of the Writing Discipline for Bard MFA—Milton Avery Graduate School of the Arts.

Claudia La Rocco

Claudia La Rocco is the author of the novella Drive By (Smooth Friend); the chapbook-length essays Certain Things (Afternoon Editions) and Quartet (Ugly Duckling Presse); The Best Most Useless Dress: Selected Writings (Badlands Unlimited); and the novel petit cadeau, published in live, digital, and print editions by The Chocolate Factory. She edited I Don’t Poem: An Anthology of Painters (Off the Park Press) and Dancers, Buildings and People in the Streets, the catalogue for Danspace Projectʼs PLATFORM 2015, for which she was guest curator. Her collaborators include visual artist Anne Walsh, choreographers Rashaun Mitchell + Silas Riener, and musician/composer Phillip Greenlief, with whom she is animals & giraffes, an experiment in interdisciplinary improvisation that performs across the US and has released three albums. She was a critic for The New York Times (2005-2015), editorial director of Open Space (2016-2021) and now edits The Back Room at Small Press Traffic; she also wrote a monthly multidisciplinary column for Artforum and served as a cultural critic for WNYC New York Public Radio, where she launched The Performance Club, an online and social hub for live art. La Rocco has received awards and residencies from such organizations as the Kenneth Rainin Foundation, Doris Duke Charitable Foundation, the Andy Warhol Foundation Arts Writers Grant, Contemporary Art Stavanger, and Headlands Center for the Arts. She has taught and lectured throughout the US and abroad, including at Stanford and Princeton Universities, the School of Visual Arts, and ImpulsTanz Vienna International Dance Festival. Her writing has been widely anthologized, including in Imagined Theatres: Writing for a theoretical stage (Daniel Sack, ed; Routledge) and On Value (Ralph Lemon, ed; Triple Canopy), and her lectures and performance works have been presented by The Walker Art Center, On the Boards, The Whitney Museum of American Art, et al.

Tausif Noor

Tausif Noor is a critic, curator, and PhD candidate in History of Art at the University of California, Berkeley. His writing appears in publications including the New York Times, the New Yorker, the New York Review of Books, Aperture, frieze, and The Poetry Project Newsletter, as well as in various artist catalogues and edited volumes. He is the recipient of a 2022 Andy Warhol Foundation Arts Writers Grant for Short Form Writing and the 2023 Grace Dudley Prize for Arts Writing from the Robert B. Silvers Foundation. He is currently Curatorial Associate at the Berkeley Art Museum and Pacific Film Archive.

Photo credit: Julie Wolf

Dorothy R. Santos

Dorothy R. Santos, Ph.D. (she/they) is a Filipino American writer, artist, and media scholar. She earned her Ph.D. in Film and Digital Media with a designated emphasis in Computational Media from the University of California, Santa Cruz as a Eugene Cota-Robles fellow. She received her Master’s degree in Visual and Critical Studies at the California College of the Arts and holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco. She is an Assistant Teaching Professor in the Art Department and Principal Faculty for the Creative Technologies program at the University of California, Santa Cruz.

Her creative and research interests include voice recognition, speech technologies, assistive tech, radio, sound production, feminist media histories, and critical medical anthropology. Her work has been exhibited at Ars Electronica, Rewire Festival, Fort Mason Center for Arts & Culture, Yerba Buena Center for the Arts, Southern Exposure, the Natalie and James Thompson Gallery, and the GLBT Historical Society. Her writing appears in art21, Art in America, Ars Technica, Hyperallergic, Rhizome, Slate, and Vice Motherboard.

Photo credit: Alexa Trevino

Simon Wu

Simon Wu is a writer and artist. His writing has been published in The Paris Review, Bookforum, The Drift, and The New Yorker. His first book Dancing On My Own, was published in 2024 with Harper Collins. He has organized exhibitions and programs at the Brooklyn Museum, the Whitney Museum, The Kitchen, MoMA, and David Zwirner, among other venues. In 2021 he was awarded an Andy Warhol Foundation Art Writers Grant and was featured in Cultured magazine's Young Curators series. He was a 2018 Helena Rubinstein Curatorial Fellow at the Whitney Museum Independent Study Program and is currently in the PhD program in History of Art at Yale University. He has two brothers, Nick and Duke, and loves the ocean.

Photo credit Jarod Lew.

Art Critic Fellowship

Launching in 2025, AICA-USA’s Art Critic Fellowship supports emerging writers by providing mentorship, professional development workshops, and publication.

Notification of selection will be made by December 7, 2024.