Essay with optional imagery
Country: Art Critics (reporters/commentators) writing from anywhere.
Eligibility: Critics (early to mid-career) writing for newspapers, magazines, television, radio, internet.
Number of Essays: One essay per applicant (include a short bibliography)
Number of Images: Up to six images (optional, but labeled and embedded into WORD text)
Entry fee: None
Contest winners will be announced at AICA-International Congress: Chile/Argentina November 13-19, 2022.
Winners Notification: October 22, 2022.
Cash Prizes: The following prizes will be awarded: First Place € 1000 (or dollars); Second Place € 500 (or dollars); and Third Place € 250 (or dollars); Certificates will also be presented.
By September 15, 2022, applicants should submit one 2000-5000 word essay (optional six pictures, labeled and embedded into text.) and a bibliography (note imagery in bibliography) in English and WORD. Applicants should also submit a 150 word biographical profile/paragraph in English and WORD (not a CV). Example of image labeling: Pablo Picasso, Guernica, 1937, oil on canvas, 3.5x7.82m, Museo Nacional Centro de Arte Reina Sophia, Madrid, Spain.
CRITERIA FOR ESSAY AND OPTIONAL IMAGERY:
Essay should follow an arcing narrative unless inverting passages is appropriate. Writers may reference artists, individual art works, exhibitions, and include historical background, memoir and even fiction if it enhances intent. Climate Change and Social Injustice themes are of particular interest, in light of Congress theme: What Are We Talking About, When We Talk About Criticism in the 21st Century?- Art Criticism and Citizenship.
Email essays to all:
Jean Bundy, Awards Chair at email@example.com
Sonia Recasens at firstname.lastname@example.org
Lisbeth Rebollo, AICA President at email@example.com
AICA supports art writers around the world through public programs and membership that includes free access to museums across the globe. Since its formation in 1950, AICA has been committed to elevating the values of art criticism as a discipline, and acting on behalf of the physical and moral defense of works of art.
AICA supports arts writers around the world through public programs and membership that offers free access to museums across the globe. AICA-USA represents the largest national section of AICA International with over 450 distinguished critics, curators, scholars, and art historians working throughout the United States. As part of the international organization, we benefit from a global reach in presence. AICA-USA is intent on international communication, elevating the values of art criticism as a discipline, and acting on behalf of the physical and moral defense of works of art.
AICA's membership card is recognized for entrance to museums around the world. Members are invited to attend the annual AICA International Congress, hosted each year by a different member nation, and the AICA-USA annual meeting.
Every fall, in cooperation with the New School's Vera List Center for Art and Politics, AICA-USA presents a Distinguished Critic Lecture.
Organized in collaboration with CUE Art Foundation, this program matches emerging critics with experienced AICA-USA members who guide them through the process of writing a catalogue essay.
A partnership between The Andy Warhol Foundation Arts Writers Grant and AICA-USA that gives art writers the opportunity to strengthen their work through one-on-one consultations with leading art critics.