Photo Diary: The Umbrellas

In October, 1991, a group of AICA-USA members travelled to a valley approximately 60 miles north of Los Angeles to view the large-scale land installation “The Umbrellas” by Christo and Jean-Claude. On view for a period of eighteen days, the 1,760 yellow umbrellas dotting the hilly California countryside were echoed in a sister installation of 1,340 blue umbrellas in Ibaraki, Japan. On the 30th anniversary of this special trip, AICA-USA executive vice president Judith Stein shares a selection of photographs she took on the occasion.

AICA supports art writers around the world through public programs and membership that includes free access to museums across the globe. Since its formation in 1950, AICA has been committed to elevating the values of art criticism as a discipline, and acting on behalf of the physical and moral defense of works of art.
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About AICA

AICA supports arts writers around the world through public programs and membership that offers free access to museums across the globe. AICA-USA represents the largest national section of AICA International with over 450 distinguished critics, curators, scholars, and art historians working throughout the United States. As part of the international organization, we benefit from a global reach in presence. AICA-USA is intent on international communication, elevating the values of art criticism as a discipline, and acting on behalf of the physical and moral defense of works of art.

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Membership Benefits

AICA's membership card is recognized for entrance to museums around the world. Members are invited to attend the annual AICA International Congress, hosted each year by a different member nation, and the AICA-USA annual meeting.

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Featured Programs

Every fall, in cooperation with the New School's Vera List Center for Art and Politics, AICA-USA presents a Distinguished Critic Lecture.

Organized in collaboration with CUE Art Foundation, this program matches emerging critics with experienced AICA-USA members who guide them through the process of writing a catalogue essay.

A partnership between The Andy Warhol Foundation Arts Writers Grant and AICA-USA that gives art writers the opportunity to strengthen their work through one-on-one consultations with leading art critics.

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